Domingo”.Ģ013 gave me “CENTURY”, now one of the classic street shots I’ve taken since my foray into Street photography. Starting the year 2014 with another street view of my hometown, thus the title “Plaza Sto. Funded by the Japan International Cooperation Agency as part of the Philippine-Japan Friendship Highway Rehabilitation Project, the huge prestressed concrete beam bridge has 246 foot (75 mtr) and 241 foot (73.5 mtr) high piers.- with Armando Bartolome and Marl GonzalesĪ couple walk past two massive elements, a building and a row of old trees, that perfectly serve as framing components. Accordingly, it is now the highest bridge in the Philippines, the new Agas-Agas bridge crosses a deep ravine in the Eastern Visayas region of the country.
#Sony a350 occasion zip#
Yes, there is a zip line and a deck for bungee jumping for the adventurous and extreme sports enthusiasts!įrom sources, The bridge is located in Sogod, Southern Leyte, Eastern Visayas, Philippines.
It was erected out of necessity when the old road became prone to landslide. Heading back to the capital 2 days after, our project counterpart stopped by this now-famous landmark and tourist stop – the Agas-agas Bridge. Travel time from Tacloban to the place is about 3 hours, it used to be 8 hours! The first time I visited Maasin, Leyte was about 12 years ago when the road was not yet concrete, just pure rough-dust in your face travel! My 2nd visit totally made me a new visitor to the place. “For the first time visitor, it is a sight to behold, a picturesque view for the photographer, and a brave fun for the adventurous! ‘beautiful phantoms’ – personal studies of the natural, the normal, the ordinary, and the enigmatic interest of shadows, our shadows, their seemingly odd existence connected to our physical body, their flexibility when reflected against the light, resulting in a visual utopia when executed well.ĭimensions covered: shadows, shadowplay, juxtapositions, humor, surreal, imaginary, dream image, mirage, optical illusion.
#Sony a350 occasion full#
More and more, many creative modern photographers are making full use/play of the shadow with a lot of room to work on the imaginary, the mirage, a dreamy image perhaps, the surreal appearance or of an optical illusion. Shadow play, or using shadows in the context of street photography has always been an interesting subject, technique, style in bringing out different effects in the final output of a street image.įrom the cliché’d distant single human shadow juxtaposed between two massive buildings/structures, to the more thought-provoking effect of an abstracted shadow form that creates more questions than answers, or one that can stir the emotion, or intrigued by its ambiguity.